Press
2008
- ArtScene
Simone Lourenço
June 2008
Vol. 27, No. 10
- Artweek
Christopher Chinn
June 2008
Volume 39, Issue 5
- Huffington Post
Alexis Weidig
May 10, 2008
- Art Ltd.
Margi Scharff
Jan 1, 2008
2007
- ARTWEEK
p. 20
Alexis Weidig at OVERTONES
Volume 38, Issue 10
Dec 2007 / Jan 2008 - ART LTD Magazine
p. 18-19
Alexis Weidig at Overtones
November 2007 - LA WEEKLY
Composition Lessons
October 10, 2007 - LA TIMES
Collages from found paper scraps
May 25, 2007 - Whitehot magazine of contemporary art
Snatch is Alchemy
April 07, 2007; Issue #2 - d/visible
The Cultural Overspray
of Victor Gastelum
March 27, 2007
2006
- LA TIMES
Around the Galleries
Generational differences
December 8, 2006 - FLAVOR PILL
"Decoys & Destructions"
November 28, 2006 - LA WEEKLY
ART PICK OF THE WEEK
"TWO THREE-FERS"
Wednesday, June 21, 2006 - ArtScene
"Sheep of Fools"
May, 2006 - NPR
Margi Scharff
March 2, 2006 - ArtScene
Victor Gastelum & Amos
February, 2006
2005
- LA Times
Around The Galleries
"Passage and transformation"
December 9, 2006 - ArtScene
Continuing and Recommended Exhibitions
December, 2005 - Beautiful/Decay Magazine
"Et Cetera"
November/December 2005 - Tema Celeste
"Chris Natrop"
July 3, 2005 - City Beat
"Paper and Profound"
April 28 - May 4, 2005 - Flavorpill
Issue 113
"Chris Natrop: 11-1/2"
April 26 - May 2, 2005
2004
- Art Scene
Continuing and Recommended Exhibitions
"Sue Coe"
Vol. 24, No. 4
December 2004 - LA Times
Around the Galleries
"Making some graphic statements"
Friday, November 26, 2004 - ARTWEEK
"Alexis Weidig at Overtones"
Vol. 35, Issue 9
Pages. 19-20
November 2004 - CityBeat
7 Days in LA
"Vote"
October 28-November 3, 2004 - CityBeat
7 Days in LA
"Magical Mix"
October 14-20, 2004 - Flavorpill
"Alexis Weidig: Athenaia"
October 5-12, 2004 - Art Scene
Continuing and Recommended Exhibitions
"Where We Live:
Outside and In"
Vol. 23, No. 10
June 2004
2003
City Beat
April 28 - May 4, 2005
"Paper and Profound"
Sex's Carrie Bradshaw would concur that rarer than an ugly pair of Manolos is a gallery that's open on Monday. And yet OVERTONES extended its hours to do just that, providing Monday-and Sunday-night art stalkers a chance to see its current exhibition 11-1/2 by Chris Natrop. The artist's truly spectacular, intricately cut and suspended paper constructions gracefully and perfectly articulate the complexity, fragility, and unpredictability of, well, life. With elements of both drawing and sculpture, these works are wonders to behold, and you don't want to miss them. See the show before it closes tomorrow night.
by Rebecca Epstein